i wish it was raining

Ask me anything   inspiration blog.
some things are reblogged for colors, shapes, style, concept, or reference. will vary from anatomy to landscapes to pretty things, may include weird clothes, with hints of feel good things and very occasional fandom stuff (mostly sticking to art junk though). may be nsfw sometimes.
i also have a main/art blog, please feel free to message me (off anon) if you'd like the url!


White Stag by Baku Maeda

Self-standing stag figure woven and composed entirely with ribbon

(via paintz)

— 3 months ago with 5296 notes
misterghostie asked: Could I get your art blog?


yeah absolutely!  it’s gooddaymonster.tumblr.com

actually making this public because i keep meaning to put it in the header and forgetting

— 4 months ago with 1 note




I really like this little animation from the first episode of Motorcity.


Hey cool! This was the very first shot I ever animated for motor city! It’s where I figured out how to do a stylized, blocky motion blur for the show. So much fun. Thanks for the post!

(via heptrepto)

— 5 months ago with 891 notes
Zuhair Murad - Fall Winter 2013 2014

(Source: gam-ora, via littlefroggies-collection)

— 5 months ago with 105424 notes


Papagoite inclusions in Quartz
Messina Mine, South Africa

(Source: auction3.mineral-auctions.com)

— 5 months ago with 1755 notes


Contemporary Art Week!

Kehinde Wiley

Los Angeles native and New York-based visual artist Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. As a contemporary descendent of a long line of portraitists—including Reynolds, Gainsborough, Titian, Ingres, and others—Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black and brown men found throughout the world.

By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery. Wiley’s larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men.


1. Down With a Bullet, 2011., 2. Femme Piquee par un Serpent, 2008, oil on canvas. 3. Matador, 2009. Oil on paper 57.5” x 134.5”., 4. Sleep, 2008. Oil on canvas 132” x 300”.

(via zombiebass)

— 6 months ago with 2999 notes
#aaahhhh yes good